【Andante行板爱乐】苏格兰皇家音乐学院RCS申请须知

1，通过CUCAS申请，2017年10月1日申请截止

2，申请费24英镑

3，面试费45英镑

4，成绩单

5，推荐信

6，语言成绩：雅思6分，单项不低于5.5

7，现场面试（本科曲目要求如下）

钢琴：

1.Performance of three contrasting works which should be of approximately Grade 8 standard or beyond. Approximately 15 minutes of the chosen programme will be heard at the audition, followed by a five minute interview.

2.Sight-reading may be given.

声乐：

Please note that Voice auditions may take place over two rounds. Following the first audition, you will be notified if you have been sent to the second round (first and second rounds are on the same day).

Performance:

Applicants should prepare three items, for example:

1.either any Italian Aria Antiche (e.g. from the volume entitled 24 Italian Songs and Arias, or similar or a folk song

2.An aria from oratorio (or opera)

3.An art song

Sight-reading may be given

小提琴：

1.Any movement from Bach’s  Sonatas or Partitas for solo violin

2.Any appropriate study (Grade 8 or equivalent standard - suggested: Kreutzer, Mazas etc.)

3.And a contrasting work – this could be a short performance piece, or a movement from a concerto or sonata, or similar

4.Scales may be required; sight-reading may be given.

中提琴：

1.Any movement from Bach’s Solo Cello Suites or Violin

Sonatas or Partitas

2.Any appropriate (Grade 8 or equivalent standard) study

3.And a contrasting work – this could be a short performance piece, or a movement from a concerto or sonata, or similar

4.Scales may be required; sight-reading may be given.

大提琴：

1.Any movement from Bach’s Solo Cello Suites

2.Any study from Popper High School of Cello Playing, op.73

3.And a contrasting work – this could be a short performance piece, or a movement from a concerto or sonata, or similar

4.Scales may be required; sight-reading may be given.

低音提琴：

1.A movement from any Baroque sonata

2.Any appropriate study (Bottesini method or similar)

3.And any contrasting work - this could be a short performance piece, or a movement from a concerto or sonata, or similar

4.Scales may be required; sight-reading may be given.

吉他：

Performance of two contrasting pieces of ABRSM Grade 8 standard or equivalent

Scales will be required and sight-readingwill be given.

竖琴：

- Two contrasting pieces, one of which

must have been composed after 1900- One study
- One orchestral cadenza e.g.

Tchaikovsky Nutcracker or

Ravel Piano Concerto

Scales and arpeggios in all keys will be

required; sight-reading will be given. 

作曲：

Composition applicants should submit at least two compositions (preferably recent examples) together with brief analytical notes, and recorded performances and software files wherever possible.

圆号：

Performance of one piece selected from the following list, and one piece of the applicant’s own choice. Scales, arpeggios and sight-reading may be given at the discretion of the panel. 

Mozart：Horn Concerto No.3 in EB,K.417

F Strauss:Nocturno, Op. 7 (Universal) 

R Strauss:Concerto No. 1 in Eb, Op. 11,2nd movement: Andante (Universal) 

小号：

Performance of one piece selected from the following list, and one piece of the applicant’s own choice. Scales, arpeggios and sight-reading may be given at the discretion of the panel. 

H Busser:Andante et Scherzo (Leduc/UMP) 

J Hubeau:Sonate, 1st and 2nd movements: Sarabande and Intermède (Durand/UMP) 

Hummel:Trumpet Concerto, 1st and 2nd movements or 2nd and 3rd movements (Bb or Eb trumpet, any edition). C, A or Eb. 

短号：

Performance of one piece selected from the following list, and one piece of the applicant’s own choice. Scales, arpeggios and sight- reading may be given at the discretion of the panel. 

Arban:Study No. 10 from Cornet Method (Boosey & Hawkes)
J Hubeau:Sonate, 1st and 2nd movements (Durand/UMP) 

D Wright:Cornet Concerto (Studio Music) 

高音长号：

Performance of one piece selected from the following list, and one piece of the applicant’s own choice. Scales, arpeggios and sight- reading may be given at the discretion of the panel. 

J S Bach:Menuettos 1 and 2 from Cello Suite No 1 in C
(arr. Lafosse) (Leduc/UMP) 

Galliard:Sonata No. 1, any three of the five movements 

Guilmant:Morceau symphonique, Op. 88 (Schott 10484) 

低音长号：

Performance of one piece selected from the following list, and one piece of the applicant’s own choice. Scales, arpeggios and sight- reading may be given at the discretion of the panel. 

P McCarty:Sonata for Bass Trombone (Ensemble Publications) 

Boutry:Tubaroque (Leduc/UMP) 

J S Bach:Menuettos 1 and 2 from Cello Suite No. 1 in C (Leduc/UMP) (arr. Lafosse) 

次中音号：

Performance of one piece selected from the following list, and one piece of the applicant’s own choice. Scales, arpeggios and sight- reading may be given at the discretion of the panel. 

J Horovitz:Euphonium Concerto (Novello) 

J S Bach:Cello Suite No. 1 in C (Leduc) (arr. Lafosse)
Arban:Study No. 10 from Cornet Method (Boosey & Hawkes) 

大号：

Performance of one piece selected from the following list, and one piece of the applicant’s own choice. Scales, arpeggios and sight-reading may be given at the discretion of the panel. 

W Hartley:Suite for unaccompanied Tuba, complete (Elkan-Vogel/UMP) 

G Jacob:Tuba Suite, 1st and 2nd movements 

Hindemith:Tuba Sonata, 1st movement (Schott 4636)
V Williams:Tuba Concerto, 1st movement 

指挥：

For Joint Principal Study Conducting, candidates will be emailed repertoire to prepare for the audition at least three weeks prior to the audition date. This will most likely be with piano accompaniment. Sight reading may also be given, and there will be aural tests and an interview. All efforts will be made to schedule both Principal Study auditions on the same day.

定音鼓：

1.Tchaikovsky: Symphony No 4 1st movement, 2 bars before T to 3 bars before U. (available in Modern Method for Timpani, Saul Goodman, Belwin Mills) 

2.Hindemith: Sinfononische Metamorphosen, Turandot Scherzo, (available in Test Pieces for Orchestral Auditions, Schott) 

3.Frank Martin: Concerto pour 7 Instruments a Vent, Timbales, Batterie et Orchestre a Cordes. (Available in Test Pieces for Orchestral Auditions, Schott) 

4.Beethoven: Symphony Nr. 1, 3rd movement 1 bar before A to end. Beethoven Symphony Nr. 7, 1st movement 20 bars before C to C (available in Fred D. Hinger, Timpani Players Repertoire Vol. 1 Beethoven from Southern Percussion) 

木琴：

1.Prokofiev: Alexander Nevsky (available in the Goldenberg Book) 

2.Gershwin: Porgy and Bess (available in Test Pieces for Orchestral Auditions, Schott) 

3.Britten: Young Person’s Guide to the Orchestra (available in Test Pieces for Orchestral Auditions, Schott) 

小军鼓：

1.Rimsky-Korsakov: Sheherazade, movements 3 and 4 (available in Test Pieces for Orchestral Auditions, Schott) 

2.Prokofiev: Peter and the Wolf (available in Test Pieces for Orchestral Auditions, Schott) 

3.Rimsky-Korsakov: Cappricio Espagnol (available in the Goldenberg Book) 

A piece of the applicant’s own choice on Marimba (optional). 

长笛：

Performance of two contrasting pieces selected from the following list: 

1.J S Bach 

Sonata No. 6 in E, 1st and 2nd movements 

2.Enesco

Cantabile et Presto

3.Martinu 

Sonata, 1st movement

4.Prokofiev 

Sonata No. 2, Op.94, 1st or 2nd movement

5.C P E Bach 

Hamburger Sonata, either movement

6.Rhene-Baton 

Passacaille

双簧管：

Performance of two contrasting pieces selected from the following list: 

1.Britten 

Six metamorphoses after Ovid, any two movements 

2.Dutilleux 

Sonata

3.Grovlez

Sarabande and Allegro

4.Handel 

Fitzwilliam Sonata in Bb major, any two movements

5.Poulenc 

Sonata, any one movement

6.Saint-Saëns 

Sonata in D, any one movement

单簧管：

Performance of two contrasting pieces ormovements selected from the following list: 

1.Arnold 

Sonatina, 1st or 3rd movement L Bernstein Sonata, any (1st or 2nd) movements

2.Milhaud 

Duo Concertant

3.Poulenc 

Sonata, any (1st, 2nd or 3rd) movements

4.Stravinsky 

Three Pieces, Nos. 1 and 2 or 2 and 3 

5.Weber 

Concerto No. 1 in F, 1st or 3rd movement

6.Messager 

Solo de Concours 

巴松：

Performance of two contrasting pieces or movements selected from the following list: 

1.Grovlez

Sicilienne and Allegro giocoso

2.Pauer 

Concerto, 1st movement

3.Pierne 

Solo de Concert Op.35

4.Vivaldi 
Concerto in A minor, F.VIII No. 2, 1st movement 

5.Weber

Concerto,1st movement

6.Mozart

Concerto,1st or 3rd movement

A Baroque Sonata of the candidate’s choice

中音萨克斯：

Performance of two contrasting pieces or movements selected from the following list: 

1.J S Bach(arr. Mule) 

Sonata No. 4, 1st and 2nd movements

2.Paul Bonneau 

Suite, complete

3.Jolivet 

Fantaisie-Impromptu

4.Koechlin

Étude No. 1 from 15 Études
5.Paul Maurice 

Tableaux de Provence, 1st and 2nd movements

6.Phil Woods 

Sonata, 1st and 2nd movements 

高音萨克斯：

Performance of two contrasting pieces selected from the following list: 

1.Fiocco (arr. Bazelaire, trans. Londeix) 

Concerto, 1st movement only 

2.Handel (arr. Londeix) 

Sonata in G minor, Op.1 No. 6, complete 

3.Villa Lobos 

Fantasia for [soprano or] tenor saxophone, 1st movement
4.Marcello (arr. Joosen)
Concerto in C minor, complete 

5.F Martin 

Ballade (1940) for [trombone or] tenor saxophone
6.Burnet Tuthill
Sonata, Op. 56, 2nd and 3rd movements 

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