【Andante行板爱乐】【木管专业】茱莉亚音乐学院The Juilliard School 2018学年申请指南

Bachelor of Music

Undergraduate Diploma

Master of Music

Graduate Diploma

Artist Diploma

Doctor of Musical Arts

等等其他老师。。。

Pre-Screening Repertoire：

Movements 1 and 2 of a concerto by Mozart, Weber, or Hummel (expositions only; with accompaniment)

Two of the following orchestral excerpts:

Marriage of Figaro Overture (mm. 139 - 171)

Tchaikovsky, Symphony No. 4 (Mvt. 2, solo to end)

Tchaikovsky, Symphony No. 6 (Mvt. 1, opening solo)

Bolero (solo)

Rite of Spring (opening solos)

Scheherazade (Mvt. 2, solo and cadenzas)

Beethoven, Symphony No. 4 (Mvt. 4, mm. 15 - 25, 184 - 188, 300 - 303, 348 - end)

Firebird (Berceuse solo)

Shostakovich, Symphony No. 9 (solo from Mvts. 4 - 5)

Ravel, Piano Concerto (Mvt. 1, rhl. 9 - 10, and Mvt. 3, rhl. 14 - 16)

Live Audition Repertoire：

Two complete works of contrasting styles and periods; one must be a concerto by Mozart, Weber, or Hummel

Three of the following orchestral excerpts:

Ravel, Piano Concerto (Mvt. 1, rhl. 9-10, and Mvt. 3, rhl. 14-16)

Shostakovich, Symphony No. 9 (solo from Mvts. 4-5)

Firebird (Berceuse solo)

Beethoven, Symphony No. 4 (Mvt. 4, mm. 15-25, 184-188, 300-303, 348-end)

Scheherazade (Mvt. 2, solo and cadenzas)

Rite of Spring (opening solos)

Bolero (solo)

Tchaikovsky, Symphony No. 6 (Mvt. 1, opening solo)

Tchaikovsky, Symphony No. 4 (Mvt. 2, solo to end)

Marriage of Figaro Overture (mm. 139-171) 

Pre-Screening Repertoire：

Mvts. 1 and 2 of a concerto by Mozart, Weber, or Hummel (expositions only; with accompaniment)

Two of the following orchestral excerpts:

Ravel, Piano Concerto (Mvt. 1, rhl. 9-10, and Mvt. 3, rhl. 14-16)

Shostakovich, Symphony No. 9 (solo from Mvts. 4-5)

Firebird (Berceuse solo)

Beethoven, Symphony No. 4 (Mvt. 4, mm. 15-25, 184-188, 300-303, 348-end)

Scheherazade (Mvt. 2, solo and cadenzas)

Rite of Spring (opening solos)

Bolero (solo)

Tchaikovsky, Symphony No. 6 (Mvt. 1, opening solo)

Live Audition Repertoire：

Two complete works of contrasting styles and periods; one must be a concerto by Mozart, Weber, or Hummel

Four of the following orchestral excerpts:

Ravel, Piano Concerto (Mvt. 1, rhl. 9-10, and Mvt. 3, rhl. 14-16)

Shostakovich, Symphony No. 9 (solo from Mvts. 4-5)

Firebird (Berceuse solo)

Beethoven, Symphony No. 4 (Mvt. 4, mm. 15-25, 184-188, 300-303, 348-end)

Scheherazade (Mvt. 2, solo and cadenzas)

Rite of Spring (opening solos)

Bolero (solo)

Tchaikovsky, Symphony No. 6 (Mvt. 1, opening solo)

Tchaikovsky, Symphony No. 4 (Mvt. 2, solo to end)

Marriage of Figaro Overture (mm. 139-171）

Live Audition Repertoire：

Major and minor scales.

Two contrasting etudes showing the applicant’s level of technical and musical ability.

At least one major solo of the applicant’s choice. Must be performed from memory.

A representative number of standard orchestral excerpts.

Live Audition Repertoire：

Two contrasting etudes showing the applicant’s level of technical and musical ability.

At least one major solo of the applicant’s choice. Must be performed from memory.

A complete concerto from the standard repertoire. Must be performed from memory.

A work composed since 1970. This may be a concerto, a work with piano, or one for solo clarinet.

A representative number of standard orchestral excerpts.

Pre-Screening Repertoire：

Repertoire must be presented in this order:

The 1st and 2nd movements of a Classical concerto of the applicant's choice.

Two contrasting movements selected from works of different styles or periods, accompanied (excluding Mozart).

One of the following pieces, in its entirety:

Prélude et Scherzo (Henri Büsser)

Concertino, Op. 107 (Cecile Chaminade)

Concertino, Op. 45 (Alphonse DuVernoy)

Cantabile et Presto (Georges Enesco)

Fantasie, Op. 79 (Fauré)

Andante et Scherzo (Louis Ganne)

Fantasie, Nocturne at Allegro Scherzando (Philippe Gaubert)

Ballade (Périlhou)

Andante Pastoral et Scherzettino (Paul Taffanel)

Mendelssohn Scherzo from A Midsummer Night’s Dream – 2 measures before P to the end.

Two orchestral excerpts selected from the following choices:

Beethoven Eroica Symphony – Last movement – measures 172–200.

Beethoven Leonore Overture No. 3 – measures 328–360.

Brahms Symphony No. 4 – Last movement – measures 93–105.

Debussy Afternoon of a Faun – measures 1–4.

Live Audition Repertoire：

At least one of Nos. 2 or 3 must be performed from memory in its entirety.

A complete Baroque sonata.

Two complete major works of contrasting styles and periods.

A complete Classical concerto.

One of the following pieces, in its entirety:

Prélude et Scherzo (Henri Büsser)

Concertino, Op. 107 (Cecile Chaminade)

Concertino, Op. 45 (Alphonse DuVernoy)

Cantabile et Presto (Georges Enesco)

Fantasie, Op. 79 (Fauré)

Andante et Scherzo (Louis Ganne)

Fantasie, Nocturne at Allegro Scherzando (Philippe Gaubert)

Ballade (Périlhou)

Andante Pastoral et Scherzettino (Paul Taffanel)

Four standard orchestral excerpts displaying a balance of technical and lyrical playing.

Pre-Screening Repertoire：

Repertoire must be presented in this order:

Mozart – Exposition of 1st and 2nd movements of Concerto in G Major or D Major, accompanied.

Two contrasting movements selected from works of different styles or periods, accompanied (excluding Mozart).

One of the following pieces, in its entirety:

Prélude et Scherzo (Henri Büsser)

Concertino, Op. 107 (Cecile Chaminade)

Concertino, Op. 45 (Alphonse DuVernoy)

Cantabile et Presto (Georges Enesco)

Fantasie, Op. 79 (Fauré)

Andante et Scherzo (Louis Ganne)

Fantasie, Nocturne at Allegro Scherzando (Philippe Gaubert)

Ballade (Périlhou)

Andante Pastoral et Scherzettino (Paul Taffanel)

Mendelssohn Scherzo from A Midsummer Night’s Dream – 2 measures before P to the end.

Two orchestral excerpts selected from the following choices:

Beethoven Eroica Symphony – Last movement – measures 172–200.

Beethoven Leonore Overture No. 3 – measures 328–360.

Brahms Symphony No. 4 – Last movement – measures 93–105.

Debussy Afternoon of a Faun – measures 1–4.

Live Audition Repertoire：

At least one of Nos. 2, 3, or 4 must be performed from memory in its entirety.

A complete Bach sonata.

A complete Mozart concerto.

A complete 20th or 21st-century concerto.

Two additional complete works of contrasting styles and periods.

One of the following pieces, in its entirety:

Prélude et Scherzo (Henri Büsser)

Concertino, Op. 107 (Cecile Chaminade)

Concertino, Op. 45 (Alphonse DuVernoy)

Cantabile et Presto (Georges Enesco)

Fantasie, Op. 79 (Fauré)

Andante et Scherzo (Louis Ganne)

Fantasie, Nocturne at Allegro Scherzando (Philippe Gaubert)

Ballade (Périlhou)

Andante Pastoral et Scherzettino (Paul Taffanel)

Six standard orchestral excerpts displaying a balance of technical and lyrical playing.

Live Audition Repertoire：

Two etudes showing the applicant’s level of technical and musical ability.

A slow/fast pair of movements or a complete shorter work from any Baroque or Classical piece, not less than 8 minutes in length (may include repeats).

A sonata or concerto movement (or pair of movements) or a short work (or pair of short works) in a style other than Baroque or Classical, not less than 6 minutes in length.

Three orchestral excerpts demonstrating slow, fast, and articulated passages.

Live Audition Repertoire：

Either No. 2 or No. 3 must be a complete major work which is not less than 10 minutes in length.

Two etudes showing the applicant’s level of technical and musical ability.

A slow/fast pair of movements or a complete shorter work from any Baroque or Classical piece, not less than 8 minutes in length (may include repeats).

A sonata or concerto movement (or pair of movements) or a short work (or pair of short works) in a style other than Baroque or Classical, not less than 6 minutes in length.

Three orchestral excerpts demonstrating slow, fast, and articulated passages.