【Andante行板爱乐】【打击乐专业】茱莉亚音乐学院The Juilliard School 2018学年申请指南
Percussion
“打击乐是所有乐器中最基本的乐器，它关于时间、音色、激情和能量。在茱莉亚我们也正在寻找有才华、有决心、愿意努力去学习打击乐的学生。虽然稍有难度，但我们仍在坚持。用耳朵去聆听，用心去解读伟大的音乐灵魂。”
——Daniel Druckman，打击乐系主任
https://v.qq.com/x/page/f05509k8scx.html
打击乐开设学位
Bachelor of Music
Master of Music
Graduate Diploma
Artist Diploma
Doctor of Musical Arts
现任打击乐专业教师
Daniel Druckma
茱莉亚音乐学院本科和硕士毕业，自1991年任教于茱莉亚音乐学院。曾在哥伦比亚大学、加州艺术学院、科罗拉多大学、皮博迪音乐学院开展大师班课程。洛杉矶爱乐乐团打击乐独奏
Pablo Rieppi
茱莉亚音乐学院硕士毕业。纽约城市芭蕾乐团成员，纽约爱乐乐团常规客座教授，在全美开展大师班课程，是茱莉亚预科教师和打击乐联合指导老师
Greg Giannascoli
罗文大学本科、佛吉尼亚州立联邦大学硕士、罗格斯大学博士。自2007年任教于茱莉亚预科。在多所音乐学校开展大师班课程，比如茱莉亚、曼哈顿音乐学院。
等等其他老师。。。
本科 面试要求
Pre-Screening Repertoire：
In addition to the video pre-screening listed below, if applicable, applicants must submit Proof of English Language Proficiency.
1. Mallets
Two Mallets – Any 2 mallet movement from J.S. Bach's Sonatas and Partitas for solo violin or Suites for solo cello – no repeats.
Four Mallets – Georg Neumark – Chorale no repeats. = 100 (do not roll).
If low A instrument is not available, please play entire piece up one octave.
2. Snare Drum
Long Roll = 80.
Pratt- 14 Modern Contest Solos: Drum Corps on Parade.
Play beginning to downbeat of m. 32.
Delecluse – Etude No. 1 from 12 Etudes pour caisse claire.
Play beginning to downbeat of m. 46 .= 76.
3. Timpani
Please tune exclusively with a tuning fork, and without the use of gauges.
Long Roll = 80.
Goodman – Modern Method for Timpani – Etude #57 = 92.
Live Audition Repertoire：
If invited to a live audition, applicants should bring three copies of all materials.
Mallets
Two-mallet solo of your choice.
Four-mallet solo of your choice.
Knowledge of scales and arpeggios.
Sight-reading.
Snare Drum
Etudes from Cirone Portraits in Rhythm or Delecluse 12 Etudes or the equivalent.
Rudimental etude by Pratt, Wilcoxon, Tompkins or equivalent
Knowledge of rudiments and ornaments.
Ability to roll at all dynamic levels.
Sight-reading.
Timpani
Etudes from Goodman method, Firth, Delecluse, or Hochrainer books or the equivalent.
Ability to tune accurately.
Ability to roll at all dynamic levels.
Sight-reading.
硕士 面试要求
Pre-Screening Repertoire：
In addition to the video pre-screening listed below, if applicable, applicants must submit Proof of English Language Proficiency.
1. Mallets
Two mallets – any 2 mallet movement from J.S. Bach Sonatas and Partitas for solo violin or Suites for solo cello – no repeats.
Four mallets – a 2–3 minute excerpt from a work of your choice.
2. Snare Drum
Long Roll =80.
Pratt-The New Pratt Book: Conquering Legions of Rome
Play beginning to downbeat of m. 25.
Delecluse – Etude No. 1 from 12 Etudes pour caisse claire.
Play beginning to downbeat of m. 46 . = 76.
3. Timpani
Long Roll =80.
Hans-Jorg Bayer Etude #5
Tchaikovsky – Symphony No. 4
First movement, 2 before T to 3 before U . = 80.
Return to College - Percussion - Master of Music Application & Audition Requirements Menu
Live Audition Repertoire：
If invited to a live audition, applicants should bring three copies of all materials.
Mallets
Two-mallet solo of your choice.
Four-mallet solo of your choice.
Knowledge of scales and arpeggios.
Sight-reading.
Four standard orchestral excerpts.
Snare Drum
Etudes from Cirone Portraits in Rhythm or Delecluse 12 Etudes or the equivalent.
Rudimental etude by Pratt, Wilcoxon, Tompkins or equivalent
Knowledge of rudiments and ornaments.
Ability to roll at all dynamic levels.
Sight-reading.
Four standard orchestral excerpts.
Timpani
Etudes from Goodman method, Firth, Delecluse, or Hochrainer books or the equivalent.
Ability to tune accurately.
Ability to roll at all dynamic levels.
Sight-reading.
Four standard orchestral excerpts.
博士 面试要求
Pre-Screening Repertoire：
In addition to the video pre-screening listed below, if applicable, applicants must submit Proof of English Language Proficiency.
1. Mallets
Two mallets – any 2 mallet movement from J.S. Bach Sonatas and Partitas for solo violin or Suites for solo cello – no repeats.
Orchestral excerpts:
Xylophone: Porgy and Bess Overture – Gershwin; Firebird Ballet 47–48 and 127–133 – Stravinsky
Glockenspiel: Sorceror's Apprentice 4 after 17–4 after 19, 22–24 – Duka
Four mallets – perform one of the following works:
Marimba: Khan Variations – Viñao; Merlin – Thomas; Marimba Variations – Wuorinen; Velocities – Schwantner; Reflections on the Nature of Water – Druckman; Three Moves – Lansky
Vibraphone: Loops II – Hurel; Le Livre des Claviers – Manoury; Omar – Donatoni
2. Snare Drum
Long Roll = 80.
Pratt-The New Pratt Book: Conquering Legions of Rome.
Play beginning to downbeat of m. 25.
Delecluse – choose one etude from 12 Etudes
Orchestral excerpts: Lt. Kije (opening) – Prokofiev; Sheherezade iii D - E, iv. P – Q – Rimsky-Korsakov; Clarinet Concerto, 4 before 29 – 1st beat of 32 – Nielsen
3. Multi percussion
Choose one from the following: Rebonds A , Psappha – Xenakis; Rogoshanti – Wood; I Ching – Norgard; 13 Drums – Ishii; Anvil Chorus – Lang; Jannisary Music – Wuorinen; Bone Alphabet – Ferneyhough
4. Timpani
Long roll = 80.
Goodman – Modern Method for Timpani – Etude No. 72.
Orchestral excerpts:
Brahms – Symphony No. 1 – Fourth movement coda.
Beethoven – Symphony No. 9 – First movement coda.
Tchaikovsky – Symphony No. 4 – First movement, 2 before T to 3 before U = 80.
Live Audition Repertoire：
If invited to a live audition, applicants should bring three copies of all materials.
Mallets
Two-mallet solo of your choice.
Four-mallet solo from the pre-screening list (solo must be different from pre-screening submission).
Knowledge of scales and arpeggios.
Sight-reading.
Three standard orchestral excerpts (excerpts must be different from pre-screening submission).
Snare Drum
Etudes from Cirone Portraits in Rhythm or Delecluse 12 Etudes or the equivalent.
Rudimental etude by Pratt,Wilcoxon,Tompkins or equivalent.
Knowledge of rudiments and ornaments.
Ability to roll at all dynamic levels.
Sight-reading.
Three standard orchestral excerpts (excerpts must be different from pre-screening submission).
Multi percussion: Rebonds B – Xenakis.
Timpani
Etudes from Goodman method, Firth, Delecluse, or Hochrainer books or the equivalent.
Ability to tune accurately.
Ability to roll at all dynamic levels.
Sight-reading.
Three standard orchestral excerpts (excerpts must be different from pre-screening submission).