【键盘专业】茱莉亚音乐学院The Juilliard School 2018学年申请指南面试曲目要求

Bachelor of Music

Undergraduate Diploma

Master of Music

Graduate Diploma

Artist Diploma

Doctor of Musical Arts

等等其他老师。。。

1. Bach: A prelude and fugue from The Well-Tempered Clavier or another work containing a fugue. (No transcriptions permitted.)

2. One of the following:

An entire sonata by Beethoven (excluding Opp. 14, 49, and 79), or

One of the following Haydn sonatas: Hob. 20, 23, 32, 46, 49, 50, 52, or

One of the following Mozart sonatas: K. 281, 284, 310, 332, 333, 457, 533, or 576, or

One of the following Schubert sonatas: D. 568, 664, 784, 845, 850, 894, 958, 959, 960, or the Wanderer Fantasie, D. 760.

3. A substantial composition by Chopin, Schumann, Brahms, Liszt, or Mendelssohn. (Etudes, nocturnes, short dances, waltzes, or comparable pieces are not acceptable.) *No individual movements or partial works will be permitted in this category.

4. One virtuosic etude by Chopin.

5. A substantial work, or a collection of shorter works, of the applicant’s choice which is:

in a different style and by a composer not listed in the previous requirements, and

not less than six minutes.

1. Bach: Any major work. A prelude and fugue is acceptable. (No transcriptions permitted.)

2. One of the following:

An entire sonata by Beethoven (excluding Opp. 14, 49, and 79), or

One of the following Haydn sonatas: Hob. 20, 23, 32, 46, 49, 50, 52, or

One of the following Mozart sonatas: K. 281, 284, 310, 332, 333, 457, 533, or 576, or

One of the following Schubert sonatas: D. 568, 664, 784, 845, 850, 894, 958, 959, 960, or the Wanderer Fantasie, D. 760.

3. A substantial composition by Chopin, Schumann, Brahms, Liszt, or Mendelssohn. (Etudes, nocturnes, short dances, waltzes, or comparable pieces are not acceptable.) *No individual movements or partial works will be permitted in this category.

4. One virtuosic etude by Chopin.

5. A substantial work, or a collection of shorter works, of the applicant’s choice which is:

in a different style and by a composer not listed in the previous requirements, and

not less than six minutes.

1. Any major work by Bach. Preludes and Fugue are permitted. (No transcriptions permitted.)

2. Choose: 

One of the following Beethoven sonatas Op. 2, Nos. 2 or 3; Op. 7; Op. 10, No. 3; Op. 22; Op. 28; any sonata later than Op. 28, excluding Op. 49 and 79.
OR

One of the following Schubert sonatas: Op. 42, Op. 78, Op. 53, Op. 143, any of the three post­humous sonatas, Wanderer Fantasie.

3. Two substantial works by different composers: one from Group A, the other from Group B.

Group A: Chopin, Schumann, Brahms, Liszt, Mendelssohn.

Group B: A work written in the late 19th or early 20th century. This includes, but is not limited to, the following composers: Tchaikovsky, Mussorgsky, Scriabin, Rachmaninoff, Busoni, Fauré, Debussy, Ravel, and Grieg. (Composers from Group A are not permitted for this requirement.)

4. A substantial 20th or 21st-century work by a composer post-dating Impressionism.

Master of Music

Graduate Diploma

Artist Diploma

Doctor of Musical Arts

1. Vocal: There are four required songs.

Brahms Botschaft

Schubert Der Musensohn

Barber St. Ita’s Vision, in the original key

Debussy Green

2. Instrumental: There are three required choices.

Mozart Sonata for Piano and Violin in B-flat Major, KV. 454 OR Beethoven Sonata for Piano and Violin in C minor, Op. 30, No. 2 OR Beethoven Sonata for Piano and Cello, Op. 102, No. 1

Brahms Sonata for Violin and Piano No. 2 in A Major, Op. 100 OR Franck Sonata for Violin and Piano

Kreisler Liebesfreud OR Tambourin Chinois for violin and piano

3. Sight-reading skills to be demonstrated by applicant in vocal and/or instrumental repertoire chosen by the faculty.

4. A personal interview of the applicant will be conducted by the faculty in conjunction with the audition.

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Bachelor of Music

Undergraduate Diploma

Master of Music

Graduate Diploma

Artist Diploma

Doctor of Musical Arts

1. A prelude and fugue for organ by J. S. Bach.

2. An organ composition by a 19th-century composer.

3. An organ composition by a representative 20th/21st-century composer.

4. Applicants may be asked to sight-read.