【弦乐专业】茱莉亚音乐学院The Juilliard School 2018学年申请指南面试曲目要求

Bachelor of Music

Undergraduate Diploma

Master of Music

Graduate Diploma

Artist Diploma

Doctor of Musical Arts

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- Of Nos. 1 and 4 below, one must be a work composed since 1960.

- Memorization of music since 1960 is encouraged but optional. All other compositions must be performed from memory.

- Please minimize piano accompaniment interludes.

- The completeness and thoughtfulness of live audition repertoire submitted with the application is a factor in the decision whether to invite a candidate for an audition.

1. A slow and fast movement from a 19th-, 20th-, 21st-century concerto.

2. Two contrasting movements from an unaccompanied Bach sonata or partita. No repeats please, unless ornamented. A dance movement and its double constitute one movement. The Chaconne from Partita No. 2 in d minor will satisfy this requirement.

3. One Paganini caprice.

4. One brilliant concert piece. If the concerto in No. 1 was composed before 1960, this work must be post-1960.

1. A complete concerto from the standard cello repertoire, such as Dvorak, Schumann, Haydn D or C, Lalo, Shostakovich, Barber, Herbert, Prokofiev Sinfonia Concertante, Elgar, or Saint-Saëns. Must be performed from memory.

2. A Bach prelude and one other movement from any Bach suite (the prelude and movement should come from the same Suite). Must be performed from memory.

3. One virtuoso piece such as those listed: Popper Spinning Song or Elfentanz, Paganini Moto Perpetuo, Faure Papillons, Boccherini Sonata L’Imperatrice, Piatti Caprices or Popper Etudes, Davidoff At the Fountain, Schubert Arpeggione Sonata 1st movement, or Tchaikovsky Pezzo Capricioso.

4. One work composed after 1945 such as works by Carter, Sessions, Dutilleux, Lutoslawski, Penderecki, Shapey, etc. which is 6-8 minutes in length. (The work may be either a complete short piece or a complete movement from a larger work.)

5. A short lyrical piece such as Saint-Saëns The Swan, Fauré Après un Rêve, Chopin/Popper Nocturne No. 2 in E flat major, Op. 9, No. 2, Mendelssohn Songs Without Words, Chopin Sonata slow movement, Schumann Five Pieces in Folk Style, 2nd movement, Schumann Fantasy Pieces, 1st movement, or the choice of the applicant.

6. First movement of a Classical or Romantic sonata. If Beethoven Op. 5 #1 or #2 is chosen, please only play the Rondos (last movements).

- Of Nos. 2 and 3, one must be a 20th or 21st-century composition

- All compositions except for duo sonatas should be memorized.

1. A complete solo Bach suite, sonata, or partita.

2. A complete sonata or equivalent work for viola, solo or with piano. In the interest of encouraging exploration of a wider range of repertoire, the following works are EXCLUDED from this requirement: the two Brahms Sonatas, the Schubert Arpeggione, and the Rebecca Clarke Sonata.

We strongly encourage candidates to choose works originally written for viola. Examples include (but are not limited to): W. F. Bach C minor Sonata, L. Boccherini C minor Sonata (original viola sonata, not cello), Weber Andante and Rondo Ongarese, Vieuxtemps Sonata Op. 36 or Unfinished Sonata, Reger 3 Suites (unaccompanied), Hindemith any of three sonatas with piano or four unaccompanied sonatas, York Bowen two sonatas, A. Bax Sonata, Ligeti Unaccompanied Sonata, Babbitt Piece for Viola and Piano, etc.

3. A complete concerto EXCLUDING the Bartok, Walton and Hindemith “Der Schwanendreher”; again encouraging exploration of wider repertoire.

We strongly encourage candidates to choose works originally written for viola. Examples include (but are not limited to): A. Rolla Concerto in E-flat Major, Vanhall C Major, Hindemith Kammermusik No. 5 or Konzertmusik, Y. Bowen Concerto, W. Piston Concerto, K. Penderecki Concerto, J. Harbison Concerto, etc.

4. A short work for viola, solo or with piano, up to about 10 minutes duration composed after 1945 by composers such as Babbitt, Carter, Persichetti, Penderecki, Kurtag, Ligeti, Zimmermann etc.

Bachelor of Music

Master of Music

Graduate Diploma

Artist Diploma

Doctor of Musical Arts

1. Two contrasting movements of a J.S. Bach suite, partita, or sonata (includes Prelude, Fugue & Allegro BWV998).

2. Two etudes by Heitor Villa-Lobos.

3. A complete work of any period.

4. Two contrasting works:

One Renaissance, Classical (e.g. Sor, Giuliani, Regondi, Mertz, etc.), or 19th-century.

One by a 20th-century composer of any style.

1. A complete suite, sonata, or partita of J.S. Bach.

2. A composition by a 19th century composer.

3. A substantial work (nine minutes or more in length) by a representative 20th-century composer. Examples include (but are not limited to): Britten Nocturnal; Brouwer Black Decameron; Walton Five Bagatelles; Henze Royal Winter Music, Tower Clocks; Ginastera Sonata.

4. A substantial work (nine minutes or more in length) in a style contrasting with No. 3 above. A selection from the Classical period would be appropriate, or a piece by a more “tonal” 20th-century composer, such as Rodrigo, Ponce, Torroba, Turina, Lauro, or Villa-Lobos. (Note: If using Villa-Lobos, you may submit a set of works totaling nine minutes or more).

Bachelor of Music

Master of Music

Graduate Diploma

Artist Diploma

Doctor of Musical Arts

- All auditioning students may use The Juilliard School harps to practice (during Audition Week only) and audition. Juilliard harps:

Lyon-Healy (style 23)

Lyon-Healy (style 85)

- Memorization is required.

1. Both of the following two studies:

No. 1 by Bochsa (Op. 34), any edition.

Tournier Etude- "Au Matin" or  "Vers la Source dans le Bois".

2. A composition of the degree of difficulty of the Fantasy on a Theme of Haydn or Aria in Classic Style by Grandjany.

3. Two contrasting short works:

One Classical.

One by a 20th-century composer, such as the Largo from the Violin Sonata No. 5 by Bach by Grandjany, or the Toccata from Sarabanda e Toccatta by Nino Rota.

- All auditioning students may use The Juilliard School harps to practice (during Audition Week only) and audition. Juilliard harps:

Lyon-Healy (style 23)

Lyon-Healy (style 85)

- Memorization is required with the exception of the Fugue by Bach/Grandjany, for which memorization is recommended but not required.

1. Two contrasting Scarlatti sonatas.

2. Fugue in D minor by Bach, No.2, from the Bach-Grandjany Etudes.

3. A large work for harp such as the Impromptu Op. 86 by Gabriel Fauré or Variations on a Theme in Ancient Style by Salzedo.

4. A 20th century sonata such as Hindemith or Tournier.

5. Debussy- Danse Sacree et Profane.