Exposition from Mozart concertos 2 or 4 OR the first page of either Strauss concerto (No. 1 – until the 11 bars of rest halfway down the page on most editions; No. 2 – the first page of the horn part).
Please choose one excerpt from each group (for a total of two excerpts):
RAVEL: Piano Concerto in G major (horn 1, movement 1, rehearsal numbers 25 – 26).
BEETHOVEN: Symphony No. 7 in A major, op. 92 (horn 1, movement 1, measures 84-102).
WAGNER: from Gotterdammerung (Siegfried’s Short Call).
SHOSTAKOVICH: Symphony No. 5 in D minor, op. 47 (horn 1, movement 1, low tutti).
BEETHOVEN: Symphony No. 3 in E-flat major, op. 55, “Eroica” (Scherzo trio, horn 2, measures 171-205).
R. STRAUSS: Don Quixote (Variation VIII, horn 2, six measures before rehearsal 59 to eight measures after rehearsal 62).
Live Audition Repertoire：
Two etudes showing the applicant’s level of technical and musical advancement.
At least one major solo of the applicant’s choice.
Five to ten standard orchestral excerpts.
A complete concerto from the standard repertoire.
Additional evaluation such as sight-reading, ear-training, range/register exploration, and scales might be required during the audition.